 |
|
11-04-2009, 10:08 PM
|
#2 (permalink)
|
|
Registered User
Join Date: Jun 2005
Posts: 157
|
|
|
|
11-04-2009, 10:13 PM
|
#3 (permalink)
|
|
HYPNOTIK PRODUCTIONS.....
Join Date: Nov 2001
Location: ILLANOISE
Posts: 44,450
|
Thanks for contributing.
|
|
|
11-05-2009, 06:29 PM
|
#4 (permalink)
|
|
Registered User
Join Date: Apr 2005
Posts: 739
|
Image Line Vocodex v1.0 VST-TSRh
Vocodex is the last word in vocoders, featuring advanced articulation
envelopes, integrated Carrier synthesizer and Soundgoodizer
maximizer, vocoder envelope control and up to 100 variable-width
multi-parameter vocoder bands. Vocodex - By your command!
Vocoding is the process of using the real-time frequency spectrum of
one sound (Modulator) to modulate the frequency spectrum of another
(Carrier). The vocoder engine consists of a series of bandpass
filters that allow through only those frequencies detected in the
Modulator source. So, for example, when a human voice is used to
modulate a synthesizer chord, it will sound like the synthesizer is
talking, the classic robot voice from many sci-fi movies.
Install plugin
Run reg file (Double click)
Enjoy
TSRh
RAPIDSHARE
|
|
|
11-05-2009, 06:30 PM
|
#5 (permalink)
|
|
HYPNOTIK PRODUCTIONS.....
Join Date: Nov 2001
Location: ILLANOISE
Posts: 44,450
|
Nice!
|
|
|
11-05-2009, 06:33 PM
|
#6 (permalink)
|
|
Registered User
Join Date: Apr 2005
Posts: 739
|
reFused Lowender v1.1.0 VST
Lowender is a subharmonic synthesizer, reminiscent of classic analog dual-band bass enhancer circuits.
While taking classic subharmonic generator circuitry as its core, the Lowender expands on the concept in several ways.
First, it offers switchable frequency ranges, so that the low end frequencies generated can be selected to fit the program material.
In addition to the "Classic" frequency range (generating subharmonics from 24-56 Hz), there are also ranges suitable for
the lowest octaves of guitar and bass.
Second, the generated subharmonics pass through a gate tailored for low frequencies, which is useful for cleaning up unwanted
bass rumble (e.g. from between kick drum hits in a drum loop).
Third, the Lowender passes the bass material through an output section comprised of an overdrive circuit and a lowpass filter.
Driving or compressing the newly generated low frequencies is essential for evening out their dynamics, and will allow them to sit well in a mix.
The variable lowpass filter is provided to shave off the higher harmonics of the overdrive and
create a smooth low end - or you can leave some of them in, for raspier bass sounds.
Features summary:
* Classic style subharmonic synthesizer.
* Gate, drive, and output filter controls.
* Operates in three different frequency ranges to match program material.
* Uses analog modeling - no FFT shenanigans.
RAPIDSHARE
|
|
|
11-05-2009, 06:36 PM
|
#7 (permalink)
|
|
HYPNOTIK PRODUCTIONS.....
Join Date: Nov 2001
Location: ILLANOISE
Posts: 44,450
|
Appreciate it.. If ne ones feeling generous enough to share some more shit, please do.
Don't be stingy!
|
|
|
11-05-2009, 06:36 PM
|
#8 (permalink)
|
|
Registered User
Join Date: Apr 2005
Posts: 739
|
Leslie Sanford Cobalt VSTi v1.5 -peace-out
Cobalt is a VSTi software synthesizer inspired by
many of the digital synthesizers from the 1980s.
In the early 80s as digital technology became cheaper,
many manufacturers designed synthesizers that combined
earlier analog technology with newer digital technology.
These were known as hybrid synthesizers. Well-known
hybrid synthesizers are the Korg DW8000 and DW6000,
the Ensoniq ESQ-1, and the Kawai K3.
In analog/digital hybrid synthesizers,the oscillators
responsible for generating waveforms are digital while
the filter section remains analog. This approach freed
designers to use any kind of waveform; they were no
longer restricted to traditional analog waveforms such
as sawtooth, triangle, and pulse. However, by using an
analog filter, these synthesizers retained the warmth
earlier analog synthesizers were known for.
Though Cobalt is a purely digital synthesizer, its
overall architecture is very much like those early
hybrid synthesizers. It features a wide selection
of waveforms,most of which were resynthesized
from actual hybrid synthesizers, while providing
traditional subtractive synthesis capabilities
for sculpting its sound.
Key Features:
* GUI created by grymmjack.
* 26 waveforms - many of which were
resynthesized from 80s hybrid synths.
* Flexible modulation routes.
* Apply PWM to any waveform.
* LFO delay.
* Polyphonic Portamento.
* Key tracked envelopes.
* Rich overdrive effect based on a custom algorithm.
* Stereo delay effect with MIDI synchable delay times.
* Easy to use.
Changes v1.5:
* Added extensive MIDI Learn capabilities. You can map any CC message
to any parameter either manually by choosing the CC message from a list or
by putting Cobalt into Learn mode and sending it any MIDI CC message.
* Added some smoothing to several parameters to minimize zippering when manipulating them via MIDI CC.
* GUI code rewritten from scratch (though the UI doesn't look any different).
RAPIDSHARE
|
|
|
11-05-2009, 06:37 PM
|
#9 (permalink)
|
|
HYPNOTIK PRODUCTIONS.....
Join Date: Nov 2001
Location: ILLANOISE
Posts: 44,450
|
(Goes to find a free premium rapidshare account)
|
|
|
11-05-2009, 06:41 PM
|
#10 (permalink)
|
|
Registered User
Join Date: Apr 2005
Posts: 739
|
Image Line Sawer VSTi v1.1.2-BoOMBoX/TSRh
Sawer is a vintage modeling synthesizer that cuts through the mix to deliver precisely articulated and punchy sounds.
Sawer pays homage to the envelopes and filters of a rare 1980's Soviet analog synthesizer, Polivoks. Maxx (Claster) has devoted meticulous attention to the detail of Sawer's filter and envelope designs, ensuring Sawer delivers a unique sonic character reminiscent of the Polivoks hardware. But Polivoks, like all analog synthesizers, wasn't without its problems. Keeping the oscillators stable and in tune has been likened to 'moving a pile of live frogs, by wheelbarrow', impossible! As Sawer is algorithmic, this solves the problems of tuning and stability, however, in the same way electrical component instability makes analog gear unique (if not cranky), Sawer benefits from the 21st century equivalent, a coding error.
While programming the SAW oscillator, Maxx accidentally set some incorrect variables and immediately the sound gained bass, acquired some light but pleasing noise on the attack and an overall richer sonic spectra. Maxx realized this was no mistake but a discovery and built on this, adding some frequency modulation to give it a touch of analog authenticity and so 'Sawer' was born.
Key features:
*Main oscillator for subtractive synthesis: SAW shape with Sync frequency.
*Sub oscillator (-2 to +2 octaves) with level, phase & detune controls.
*1 Noise Oscillator.
*Variable polyphony (1 to 24 voices).
*8 voice Unison with user-adjustable stereo panning, detune and 'Octaver'.
*Sync & Ring frequency modulation.
*2 ADSR envelope generators (one user-assignable to modulation parameters).
*4 Filter modes - low pass (24 & 12 dB/Oct), band pass and high pass.
*Chorus, Phaser, Delay & Reverb effects.
*Multi-mode Arpeggiator.
Changes:
*Use downloader for preset handling.
*Fixed voice handling in FL version.
*Fixed minor memory leak.
*Fixed several minor bugs.
INSTALL NOTES
1. Install
2. Import RegFile sawer.reg
RAPIDSHARE
|
|
|
11-05-2009, 06:53 PM
|
#11 (permalink)
|
|
Registered User
Join Date: Apr 2005
Posts: 739
|
Audiowarez
Software
Samples
Vidoes
eBooks
Latest releases
ReFX Nexus v2.2 VSTi RTAS DVDR-AiRISO
Native Instruments Kontakt VSTi RTAS v4.0.2 PC-ISO
Steinberg HALion VSTi DXi v3.5 DVDR-AiRISO
and alot more
Sign-Up
Last edited by b-real 123; 11-06-2009 at 12:18 AM.
|
|
|
11-05-2009, 06:59 PM
|
#12 (permalink)
|
|
HYPNOTIK PRODUCTIONS.....
Join Date: Nov 2001
Location: ILLANOISE
Posts: 44,450
|
Spread the link out, It's blocked.
|
|
|
11-06-2009, 12:19 AM
|
#13 (permalink)
|
|
Registered User
Join Date: Apr 2005
Posts: 739
|
Quote:
Originally Posted by Hypnotik
Spread the link out, It's blocked.
|
Fixed
Link in a paste2
|
|
|
11-06-2009, 01:40 AM
|
#14 (permalink)
|
|
Registered User
Join Date: Jun 2005
Posts: 157
|
thansk man that nice. yo hypnotik i think this should be stickied
|
|
|
11-06-2009, 01:56 AM
|
#15 (permalink)
|
|
HYPNOTIK PRODUCTIONS.....
Join Date: Nov 2001
Location: ILLANOISE
Posts: 44,450
|
I was thinking that too.
Let's wait till we get more ppl to post some shit though.
I'll see what GI and blak think too.
|
|
|
11-06-2009, 06:55 AM
|
#16 (permalink)
|
|
Better Believe It
Join Date: Oct 2002
Location: www.tonipproductions.com
Posts: 3,353
|
if we do sticky a thread like this i think its important to have just the links in the first post for easy acces. Plus, I dont know how long rapidshare uploads stay available, if the links die in 2 weeks then there is no use in this
|
|
|
11-06-2009, 12:09 PM
|
#17 (permalink)
|
|
beatsrus
Join Date: Dec 2003
Location: San Jose, CA
Posts: 10,796
|
b-real coming through with the FX..
effects are what im fiending now.. i got too many of these sample libraries and synths right now..
|
|
|
11-06-2009, 01:03 PM
|
#18 (permalink)
|
|
Registered User
Join Date: Jun 2005
Posts: 157
|
Quote:
Originally Posted by ~G.I~
if we do sticky a thread like this i think its important to have just the links in the first post for easy acces. Plus, I dont know how long rapidshare uploads stay available, if the links die in 2 weeks then there is no use in this
|
rapidshare stuff will stay up as long as the person pays for there account i have a premium account i could add them to if that the case u needing them to stay up
|
|
|
11-06-2009, 01:31 PM
|
#19 (permalink)
|
|
Registered User
Join Date: Apr 2005
Posts: 739
|
Quote:
Originally Posted by southern_cash
rapidshare stuff will stay up as long as the person pays for there account i have a premium account i could add them to if that the case u needing them to stay up
|
The links are not going any where unless I delete them
I have a rapidshare account
|
|
|
11-06-2009, 01:41 PM
|
#20 (permalink)
|
|
Registered User
Join Date: Apr 2005
Posts: 739
|
Voxengo TransGainer VST v1.0 x32 x64 Incl Keygen-AiR
TransGainer, an audio plug-in suitable for a wide range of professional music production uses, implements an audio signal envelope adjustment algorithm that reacts on transients rather than on a signal’s loudness level. This algorithm allows you to adjust volume of attack and sustain stages of any sounds you use it on. TransGainer was designed in a way to be suitable for all possible sound sources – be it individual tracks or full mixes.
In many cases TransGainer can be used in place of gate and expander plug-ins while delivering a better sound and offering an easier control. Beside that, TransGainer can be used for audio recording restoration/re-mastering purposes and reverb tail modifications with excellent results.
TransGainer allows you to specify gain adjustments for a sound’s transient and sustain stages separately. You can also choose an expected average time between transients so that algorithm delivers you the most precise results possible. With the help of TransGainer you can pass the border from good to excellent audio recordings.
Features
* Transient stage loudness adjustments
* Sustain stage loudness adjustments
* Transient-to-transient time control
* Multi-channel processing
* Internal channel routing
* Channel grouping
* Mid/side processing
* Up to 8x oversampling
* 64-bit floating point processing
* Preset manager
* Undo/redo history
* A/B comparisons
* Contextual hint messages
Try this one on your drum tracks
RAPIDSHARE
|
|
|
 |
|
|
Currently Active Users Viewing This Thread: 1 (0 members and 1 guests)
|
|
|
| Thread Tools |
|
|
| Display Modes |
Linear Mode
|
Posting Rules
|
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts
HTML code is Off
|
|
|
All times are GMT -4. The time now is 04:43 PM.
|
|
|